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There are many bonds that we cannot make physical contact with. Some we inherit, some occur coincidentally and some we obtain consciously. Even though there is no concrete contact with a string or wire, we can feel and make sense of such bonds. The Invisible Bonds, as a spatial and sonic experience, emphasises our relation to these bonds and how we can react to them. It wants to draw attention to how the ties vibrate, grow or fade, as well as bringing joy, grief, peace and discomfort.nnInvisible

Invisible Bonds

⏲ 91 sec ✓ 05-Jul-2019

Sonic ArchitecturenLecture and discussion with Don Hill and Martin HowsenRecorded during the CC n°1 festival in ausland, Berlin on 12th dec. 2012nnIn 2011, I was funded “to remediate the unpleasant sound of a large public square in the downtown of a major Canadian city by creating the conditions for acoustic standing waves, noise-cancellation effects,” by strategically adding sounds from a carillon to create a “harmony of the square”.nnFor the talk: I will present excerpts from what I h

Don Hill and Martin Howse: \

⏲ 2 min 98 sec ✓ 19-Dec-2012

It is hard to imagine the sound of birds that have already gone extinct. There are some bird sounds that were lost before the technology existed to record them. The passenger pigeon was once so common that people described flocks of them as passing clouds obstructing the sun. The noise they made was apparently unbelievable- everywhere from harsh clucks to gentle melodies. It is strange to imagine how the sound of these birds would have changed our sonic environment.nnThe Sackville Waterfowl Park

Silent Spring: Sackville Siknikt - Excerpt

⏲ 47 sec ✓ 02-Jul-2019

Step by step how to draw Sonic the Hedgehog.

Art with Andy - How to draw Sonic the Hedgehog

⏲ 11 min 27 sec ✓ 15-May-2020

Mosaico is an audio-visual art installation focusing on the study of sound in space. The project combines simplistic elements of photography with technical and psychological explorations of sound within space. It combines inspirations from various fields and artists to create a cross examination of how we perceive and represent space and how these spaces and their sound content affect our psychology. nWhilst artists such as Bernhard Leitner focus on the physical attributes of sound in space and

⏲ 44 sec ✓ 28-Jan-2013

https://benedikteesperi.com/vortex/nOn stage, in an experienced chaos, three bodies are searching for moments of closeness which creates fragments of intimacy, belonging and affection. Together they perform a basic human desire which forces them to let go of what is well known. They have the intention to create a multitude of expressions that comes together as one complex body beyond identity and cultural origin.nnVORTEX is an interdisciplinarycontemporary choreographic and music performance f

Benedikte Esperi, Sebastian Ruiz Bartilson & Javier Cha Blasco research VORTEX 2017

⏲ 11 min 68 sec ✓ 10-Feb-2019

Visual representation has been early an important dimension for the musical phenomenon (memory, transmission) as well as a powerful tool for thoughts, idea formalization in the composition process. Moreover, toward the sonic complexity, abstraction is more like the way we think music.n nA system for visual representation of sonic material is leading to a reflexion on its use, on the choices the composer has to face with, by facilitating manipulation and production of consistent musical structure

A card deck for musical motive composition

⏲ 2 min 53 sec ✓ 08-Oct-2013

\ from how to draw sonic

⏲ 91 sec ✓ 02-Nov-2017

“Repetitive Beats, Repetitive Conditionals & the Future of Dance and Music Making”nnThe symposium talks a lot of of technology and how to make things, but the focal point is how digital technology changes our own body. So it should be relevant to anybody. nnThe biological function of music is still to be understood completely, but music has always been part of human culture. Obviously the human brain has superfluous capacities, which allows us being touched very deeply by music. The amou

SYMPOSIUM - PANEL 4 - Robert Henke at NODE15

⏲ 6 min 86 sec ✓ 15-May-2015

Placed Sound(s) - The Sound of Locative MediannFrauke BehrendtnnResearcher, University of Brightonnnwww.brighton.ac.uknnwww.fraukebehrendt.comnnAbstract: nnThis talk develops a sonic perspective that pays particular attention to the temporal, situated and embodied aspects of locative media. It introduces the concept of ‘Placed Sounds’ for a detailed analysis of locative sound experiences. This framework for analysis considers how locative sound engages with the auditory aspects of our spatia

Frauke Behrendt - Symposium 8 “Audio Mobility”

⏲ 19 min 69 sec ✓ 29-Mar-2016

Sonic Graphite 2B (SG2B) is an interactive sound installation and collaborative public art piece. By drawing on the wall with any of five specially wired graphite bars visitors simultaneously create their own unique sound composition while contributing to a large evolving collaborative artwork.n nEach wired bar is associated with a central graphite dot. When the graphite bar is brought in contact with the hub it completes a circuit. As lines are drawn outward from the hub, streams of voltages ar

Sonic Graphite 2B_ SG2B

⏲ 2 min 54 sec ✓ 20-Dec-2014

STATES (2023) - Full Concert from how to draw sonic

STATES (2023) - Full Concert

⏲ 21 min 13 sec ✓ 23-Nov-2023

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